{"id":3750,"date":"2017-11-24T16:52:18","date_gmt":"2017-11-24T15:52:18","guid":{"rendered":"http:\/\/www.marottaeditori.com\/?p=3750"},"modified":"2018-02-07T16:30:45","modified_gmt":"2018-02-07T15:30:45","slug":"seven-liberal-arts-bolaffi-knowledge-meets-art","status":"publish","type":"post","link":"https:\/\/old.marottaeditori.com\/en\/seven-liberal-arts-bolaffi-knowledge-meets-art\/","title":{"rendered":"The Seven Liberal Arts of Bolaffi: Knowledge meets Art"},"content":{"rendered":"<p id=\"tw-target-text\" class=\"tw-data-text tw-ta tw-text-small\" dir=\"ltr\" data-placeholder=\"Traduzione\"><span lang=\"en\">The Seven Liberal Arts are the disciplines that represent the Knowledge in medieval times. They are opposed to the Mechanical Arts, or to all those practical activities that require manual skills, to which the least-skilled class was destined.<\/span><\/p>\n<p align=\"JUSTIFY\"><!--more--><\/p>\n<p align=\"JUSTIFY\">Their original classification dates back to the classical world and were intended to form the intellectual elite, clerics and monks. According to the practice developed in the Middle Ages, the Seven Liberal Arts are divided into two levels of teaching: Trivio, comprising grammar, rhetoric and dialectics, and Quadrivio, that is, arithmetic, geometry, music and astronomy.<\/p>\n<p align=\"JUSTIFY\">In\u00a0<a href=\"https:\/\/old.marottaeditori.com\/en\/bolaffi-arte\/\">Bolaffi\u00a0<\/a><a href=\"https:\/\/old.marottaeditori.com\/en\/bolaffi-arte\/\">multiples of art <\/a>\u00a0you can find both degrees, all entrusted to different artists.<\/p>\n<h2 align=\"JUSTIFY\">The Seven Free Bolaffi Arts: The Trivial<\/h2>\n<p align=\"JUSTIFY\">The Trivial Arts are all edited in 1979. <strong>Hubertus Gojowczyk<\/strong> wrote Grammar. The polish artist, <strong>Beuys<\/strong> student in D\u00fcsseldorf, uses one of his famous book-objects to transform the intellectual into physics.<\/p>\n<figure id=\"attachment_612\" aria-describedby=\"caption-attachment-612\" style=\"width: 768px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-612\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/89-Hubertus-Gojowczyk-2.jpg\" alt=\"Le Sette Arti LIberali Hubertus-Gojowczyk\" width=\"768\" height=\"576\" srcset=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/89-Hubertus-Gojowczyk-2.jpg 768w, https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/89-Hubertus-Gojowczyk-2-600x450.jpg 600w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><figcaption id=\"caption-attachment-612\" class=\"wp-caption-text\">Hubertus Gojowczyk, La Grammatica<\/figcaption><\/figure>\n<p align=\"JUSTIFY\"><strong>Floriano Bodini<\/strong>, lombard sculptor, represents Rhetoric through an imposing figure, built from full volumes, delightfully defined by a sundial light.<\/p>\n<figure id=\"attachment_597\" aria-describedby=\"caption-attachment-597\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-597\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/85-Floriano-Bodini.jpg\" alt=\"Le Sette Arti Liberali Floriano Bodini\" width=\"500\" height=\"600\" \/><figcaption id=\"caption-attachment-597\" class=\"wp-caption-text\">Floriano Bodini, La Retorica<\/figcaption><\/figure>\n<p align=\"JUSTIFY\">The Turin artist <strong>Ezio Gribaudo<\/strong>, finally, waves the signs and symbols of his peculiar scriptures in a frame of the Cartographic flavor for Dialectics.<\/p>\n<figure id=\"attachment_609\" aria-describedby=\"caption-attachment-609\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img decoding=\"async\" class=\"size-full wp-image-609\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/87-Ezio-Gribaudo.jpg\" alt=\"Le Sette Arti Liberali Ezio Gribaudo\" width=\"500\" height=\"600\" \/><figcaption id=\"caption-attachment-609\" class=\"wp-caption-text\">Ezio Gribaudo, La Dialettica<\/figcaption><\/figure>\n<h2 align=\"JUSTIFY\">The Seven Free Bolaffi Arts: the Quadrivio<\/h2>\n<figure id=\"attachment_592\" aria-describedby=\"caption-attachment-592\" style=\"width: 449px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-592\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/83-Giosetta-Fioroni-fronte.jpg\" alt=\"Le Sette Arti Liberali Giosetta Fioroni\" width=\"449\" height=\"600\" \/><figcaption id=\"caption-attachment-592\" class=\"wp-caption-text\">Giosetta Fioroni, L&#8217;Astronomia<\/figcaption><\/figure>\n<p align=\"JUSTIFY\">Quadrivio&#8217;s Arts see the presence of the only woman who participates in the production of this series of art multiples, namely the roman artist <strong>Giosetta Fioroni<\/strong>. In her 1978 <em>Astronomy,<\/em> the colors are kept loose from the central house, which is surrounded by graphic signs.<\/p>\n<figure id=\"attachment_586\" aria-describedby=\"caption-attachment-586\" style=\"width: 451px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-586\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/82-Roland-Topor-fronte.jpg\" alt=\"Le Sette Arti Liberali Roland Topor\" width=\"451\" height=\"600\" \/><figcaption id=\"caption-attachment-586\" class=\"wp-caption-text\">Roland Topor, L&#8217;Aritmentica<\/figcaption><\/figure>\n<p align=\"JUSTIFY\">The multifaceted French artist, <strong>Roland Topor<\/strong>, known for his disheartening irony, imagines a grotesque and arrogant picture for Arithmetic (1978).<\/p>\n<figure id=\"attachment_605\" aria-describedby=\"caption-attachment-605\" style=\"width: 768px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-605\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/86-Pietro-Guccione-2.jpg\" alt=\"Le Sette Arti Liberali Piero Guccione\" width=\"768\" height=\"576\" srcset=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/86-Pietro-Guccione-2.jpg 768w, https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/86-Pietro-Guccione-2-600x450.jpg 600w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><figcaption id=\"caption-attachment-605\" class=\"wp-caption-text\">Piero Guccione, La Geometria<\/figcaption><\/figure>\n<p align=\"JUSTIFY\">For the sicilian painter and engraver, <strong>Piero Guccione<\/strong>, geometry looks like a contrast between blue and yellow, while for <strong>Giuliano Vangi, <\/strong>music is represented by one of his peculiar male characters, an attoned and monochrome player, in precarious balance on a slope .<\/p>\n<figure id=\"attachment_615\" aria-describedby=\"caption-attachment-615\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-615\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/88-Giuliano-Vangi.jpg\" alt=\"Le Sette Arti Liberali Giuliano Vangi\" width=\"500\" height=\"600\" \/><figcaption id=\"caption-attachment-615\" class=\"wp-caption-text\">Giuliano Vangi, La Musica<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The Seven Liberal Arts are the disciplines that represent the Knowledge in medieval times. They are opposed to the Mechanical Arts, or to all those practical activities that require manual skills, to which the least-skilled class was destined.<\/p>\n","protected":false},"author":1,"featured_media":2313,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[248,240],"tags":[279,309],"class_list":["post-3750","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-multiples-of-art-series","category-the-seven-liberal-arts","tag-bolaffi-en","tag-le-copertine-dartista-di-bolaffiarte-en"],"jetpack_featured_media_url":"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/06\/le-arti-liberali-1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/posts\/3750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/comments?post=3750"}],"version-history":[{"count":0,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/posts\/3750\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/media\/2313"}],"wp:attachment":[{"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/media?parent=3750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/categories?post=3750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/tags?post=3750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}