{"id":6277,"date":"2018-06-08T19:05:02","date_gmt":"2018-06-08T17:05:02","guid":{"rendered":"http:\/\/www.marottaeditori.com\/sensi-copertine-bolaffi\/"},"modified":"2018-06-15T13:53:35","modified_gmt":"2018-06-15T11:53:35","slug":"sensi-copertine-bolaffi","status":"publish","type":"post","link":"https:\/\/old.marottaeditori.com\/en\/sensi-copertine-bolaffi\/","title":{"rendered":"The five senses&#8230;plus one from Bolaffi&#8217;s Covers"},"content":{"rendered":"<p><strong>Joseph Beuys, Mario Schifano, Robert Rauschenberg, Jim Rosenquist, Ugo Nespolo, Edward Kienholz<\/strong>: these are the artists of the Bolaffi series dedicated to the <strong>Senses. <\/strong>Effectively they are not just five but six.<\/p>\n<p><!--more--><\/p>\n<p>Generally speaking the &#8220;<strong>sixth sense<\/strong>&#8220;, refers to that intuitive leap that is mediumistic in a way. However, if it is true that there are only 5 senses in nature, &#8211; hearing, taste, touch, smell and sight- then any ability other than the classic one can be classified as a sixth sense.<\/p>\n<p>In this case, for Bolaffi&#8217;s covers there is one absolutely commonplace and as so quite meaningful:<strong>\u00a0the Intuitive Business.\u00a0<\/strong><\/p>\n<h2>The five senses: artists comparison<\/h2>\n<p>The hearing is represented by\u00a0<strong>Joseph Beuys<\/strong>\u00a0through a self portrait with garish headphones. After all, what better solution for a\u00a0<a href=\"https:\/\/old.marottaeditori.com\/en\/joseph-beuys-arte-is-not-there-to-be\/\">shaman-Artist<\/a>, who is used to be a medium?<\/p>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/Joseph-Beujs.jpg\" \/><\/p>\n<p>The taste by <strong>Mario Schifano<\/strong>, instead, brings back to the Pop Art basics, as in the repetition. A female mouth which tastes some food, inevitably evoking sexual suggestions. Both for what is is eaten and also for the provocative image of red colored lips. A kind of temptation which perfectly matches the bold personality of the <em>damned<\/em> Italian Pop Artist.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-455\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/44-Mario-Schifano-fronte.jpg\" alt=\"\" width=\"437\" height=\"600\" \/><\/p>\n<p>The myth of the American Pop Art, <strong>Robert Rauschenberg<\/strong>, presents instead quite a faint shaded work. His\u00a0<em>Touch<\/em>\u00a0evoques to the audience a rough touch by means of folds and ripples.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/Robert-Rauschemberg-1.jpg\" \/><\/p>\n<p><strong>James Rosenquist<\/strong>, another great exponent of the American Pop Art, develops the <em>Smell<\/em>\u00a0through a multicolor fragmented composition. This one seems to ripple the surface and it is characterized by an elegant scent.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-319\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/43-Jim-Rosenquist-fronte.jpg\" alt=\"\" width=\"437\" height=\"600\" \/><\/p>\n<p>A multifaceted\u00a0<strong>Ugo Nespolo<\/strong>\u00a0gives the &#8220;Sight&#8221; a vivid pink of a face and pictures a giant eye on it. The eye is also entoured by lashes, reminding of leaves. This pupil with its &#8220;vegetal&#8221; looking reflects the image of an ancient painting from the seventeen century. An intersection of female bodies that evoke <strong>Ingres<\/strong>&#8216; virtue for composing.<\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-462\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/Ugo-Nespolo.jpg\" alt=\"sensi\" width=\"500\" height=\"600\" \/><\/p>\n<h2>The sixth sense: Edward Kienholz&#8217;s dollars<\/h2>\n<p>The <em>Business intuition<\/em>\u00a0instead is given to one of the artists who has mostly taken the side against the industrial and commercial world beloved by the Pop Art and the Minimalism: Edward Kienholz.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-467\" src=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/Edward-Kienholz.jpg\" alt=\"\" width=\"768\" height=\"576\" srcset=\"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/Edward-Kienholz.jpg 768w, https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/05\/Edward-Kienholz-600x450.jpg 600w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/p>\n<p>A critical writer of the dark side also obsessed by the economical model is Kienholz. To represent such a particular sixth sense, KIenholz uses a figure which is apparently iperbolic but it is soon turned down by a small text across it: <strong>One Five Thousandth of $ 200.00<\/strong>\u00a0it is indeed equal to&#8230; 4.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joseph Beuys, Mario Schifano, Robert Rauschenberg, Jim Rosenquist, Ugo Nespolo, Edward Kienholz: these are the artists of the Bolaffi series dedicated to the Senses. Effectively they are not just five but six.<\/p>\n","protected":false},"author":5,"featured_media":2308,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[394,248],"tags":[279,401,395,396,402],"class_list":["post-6277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-sensi-en","category-multiples-of-art-series","tag-bolaffi-en","tag-bolaffiartists-covers","tag-edward-kienholz-en","tag-james-rosenquist-en","tag-senses"],"jetpack_featured_media_url":"https:\/\/old.marottaeditori.com\/wp-content\/uploads\/2017\/06\/i-sensi-2.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/posts\/6277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/comments?post=6277"}],"version-history":[{"count":0,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/posts\/6277\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/media\/2308"}],"wp:attachment":[{"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/media?parent=6277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/categories?post=6277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/old.marottaeditori.com\/en\/wp-json\/wp\/v2\/tags?post=6277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}